邬可
Wu Ke
古典吉他
作曲家 · 演奏家
Classical Guitar
Composer · Performer
音乐没有标准答案。
Music has no correct answer.
MUSIC HAS NO CORRECT ANSWER
音乐没有标准答案
印 记
T H E M A R K
一把西方的琴，一支中国的笔。 他把《浏阳河》写进古典吉他——不是把中国装进西方，是让两种语言在同一张纸上开口。音乐本就没有国境。
墨是泼的，不是描的。 落笔只有一次，无从复刻。这是他理解的自由——他说音乐没有标准答案，指的就是这个。
灯在琴前亮着，光顺着弦上行。 灯是用来传的。他首先是一位老师。
A Western instrument, a Chinese brush. He wrote the Hunan folk song Liuyang River into the classical guitar — not fitting China into the West, but letting two languages speak on the same sheet of paper. Music never had borders.
The ink is splashed, not drawn. A stroke happens once and cannot be repeated. That is his idea of freedom — and what he means when he says music has no correct answer.
A lamp burns before the guitar; the light climbs the strings. A lamp is meant to be passed on. He is, first of all, a teacher.
其 路
T H E P A T H
十岁那年，母亲给他买了第一把吉他。他在湖南醴陵长大，高中开始跟老师学古典吉他，2005 年考进上海音乐学院。
2009 年本科毕业，他一个人去了阿布扎比，在国际音乐学院教书。学生来自各个国家，其中一位是阿联酋的扎耶德公主。语言不通，乐理基础天差地别——那两年逼着他把教学法打磨到不依赖语言也能教会。2011 年，他回国了。
先在昆明办古典吉他私塾，后来定居成都。2017 年他做了一件当时国内没人做过的事：办一场完全在黑暗中演奏的古典吉他音乐会，只放五十位听众进场。灯一关，听众手里就只剩下耳朵。
2022 年，他重新回到学校，进了四川音乐学院作曲系。这些年他其实一直在做同一件事——让中国的声音在古典吉他上成立。从论文《吉他音乐民族化初探》，到古典吉他上的《梅花三弄》，到那版被国内外多位演奏家弹奏的《浏阳河》改编，再到原创《浏阳河随想》拿下俄罗斯国际作曲家大赛一等奖。
从家乡出发，绕地球一圈，
用世界的语言，把家乡写了回来。
His mother bought him his first guitar when he was ten. He grew up in Liling, Hunan, took up the classical guitar in high school, and entered the Shanghai Conservatory of Music in 2005.
In 2009, straight out of his degree, he went alone to Abu Dhabi to teach at the International Music Institute. His students came from many countries; one of them was Sheikha Zayed of the UAE. With no shared language and wildly uneven training, those two years forced him to build a way of teaching that does not depend on words. He returned to China in 2011.
He ran a small classical guitar school in Kunming, then settled in Chengdu. In 2017 he did something no one in China had done: a classical guitar recital played in complete darkness, fifty listeners admitted. With the lights out, an audience is left with nothing but its ears.
In 2022 he went back to school, into the composition department of the Sichuan Conservatory of Music. All these years he has been doing one thing — making Chinese music work on the classical guitar. It runs from his paper on the subject, through Three Variations on the Plum Blossom, through his arrangement of the Hunan folk song Liuyang River now played by guitarists at home and abroad, to River Caprice, which won First Prize at the International Composers Competition in Russia.
He set out from home, went once around the world,
and wrote home back in the world's own language.
履 历
C R E D E N T I A L S
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上海音乐学院 · 古典吉他专业 本科Shanghai Conservatory of Music — Classical Guitar, BAShanghai Conservatory of Music上海音乐学院
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四川音乐学院 · 作曲专业 硕士Sichuan Conservatory of Music — Composition, MASichuan Conservatory of Music四川音乐学院
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《浏阳河随想》俄罗斯国际作曲家大赛 一等奖River Caprice — First PrizeFirst Prize · International Composers Competition, RussiaInternational Composers Competition, Russia
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《湘韵华章——大型管弦乐与声乐套曲》
入选中国文联 2024 年度青年文艺创作扶持计划支持项目Xiang Yun Hua Zhang — orchestral & vocal suite
Supported Project, China Federation of Literary and Art Circles, 2024China Federation of Literary and Art Circles中国文联 2024 年度青年文艺创作扶持计划 -
曾任教于阿布扎比国际音乐学院
在国内外多座城市举办个人独奏音乐会Formerly taught at the International Music Institute, Abu Dhabi
Solo recitals in cities across China and abroadInternational Music Institute, Abu Dhabi阿布扎比国际音乐学院
联 系
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Wu Ke